A few cuts were inevitable (for instance in Repro-1, oscillator B can modulate its own pulse width, which we gladly dropped from Repro-5). It seemed that people liked Repro-1 so much, they wanted more… Would we please consider making it polyphonic?Īfter umming and ahing about the idea, we decided to give it our best. Repro-5 adds new dimensions to the familiar classic sound while keeping analogue authenticity front and centre.įirst we released Repro-1, a faithful component-level model of what was perhaps the mostpowerful-sounding monophonic keyboard ever built. Keep it lush, or go for thick detuned unison leads. First: it's polyphonic! Play rich pads, shape them using the resonant lowpass filter, drive the polyphonic distortion unit as hard as you like, and finally polish your sound with five built-in effects. Repro-5 shares a lot of sonic DNA with Repro-1, but adds new flavours and characteristics. Despite its molded plastic panel and the limitations of monophony, it sold surprisingly well and is generally recognized as an iconic piece of synthesizer history. The circuit design made good use of standard Curtis chips and the little onboard sequencer was more than just a welcome extra.

Fat drones, cutting leads, funky basses, quirky sci-fi sound effects – this synthesizer delivered on all counts. To be commercially viable, any new monophonic instrument had to be cheap but very capable.

In the early 1980s, polyphonic synthesizers were almost within reach of the average musician. The plug-in is a component-level model of perhaps the most powerful-sounding monophonic keyboard ever built. Hard working, raw sounding and immediately playable, it's a simple and intuitive synthesizer which belies a deep feature set capable of a wide range of sounds. Repro-1 is a fierce monosynth: The classic design gives you immediate access to all the raw power: Two oscillators, self-oscillating 4-pole lowpass filter, arpeggiator, step sequencer, the unique modulation section, and five stomp-box effects which can be arranged in any order.

Detune for mac review